Is it really possible that Creed, the SEVENTH film in the Rocky franchise, could actually be that good? Seriously? For real?

I love the Rocky movies. I love every minute of each and every one, no matter how gloriously awful they've become.

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It may be too early to discuss the Oscars, but the year in film is wrapping up with a disappointingly meager bang. Years previous, the winter has been a wonderland of cool, exciting new movies.

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Fearing the all too often trailer leaks the internet is known for these days, Disney/Marvel came up with a secret plan to debut their first teaser of the upcoming Marvel's Captain America: Civil War on Jimmy Kimmel this Tuesday night with help from Captain America (Chris Evans) and Iron Man (Robert Downey Jr.). And damn was it incredible.

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Moustaches: the symbol of manliness. While in recent years, it appears moustaches have tragically gone "out of style", there should be little doubt that in their heydey, they were the ultimate fashion statement for men.

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When I was in school, a teacher would sometimes catch me doing something I wasn't supposed to be doing.

Whenever they'd ask, "Michael, what are you doing?"

"Just putting on the second coat now!" was always my favourite response.

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The Look of Silence, an emotionally searing new documentary from director Joshua Oppenheimer is a disturbing and incredibly impacting experience. In his previous film, The Act of Killing, Oppenheimer explored the contemporary aftermath of the Indonesian communist genocide of the late 1960's.

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HOLLYWOOD, CA (October 7, 2015) -- Paramount Pictures, Cineplex Entertainment and Dillon Francis are offering moviegoers in Canada a one-night-only Scouts Guide to the Zombie Apocalypse Ultimate Fan Experience with an advance screening of the film as well as exclusive music and a special visual show from Dillon Francis for the regular price of admission.

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Grandma is indeed a tearjerker, but one free of the overwrought sentimentality that bogs down other entries in the genre. Structured like an addictive novella, the premise is quickly established and we're on our way. At a brisk 75 minutes, there is little time for narrative hesitation.

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Guy Maddin's films have always had at least one foot planted firmly in a shadowy and beautiful cinematic past. Beginning with his first feature, the awe-inspiring Tales from the Gimli Hospital in 1988, Maddin's gaze seemed fixed backwards to a distant era in which the talking picture was still unfamiliar and strange.

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The films of Roy Andersson are not for everyone, in the same manner that the films of another Anderson, Wes, are also not for all tastes. Is there a connection between these two filmmakers? No, not really. Well, perhaps. Let's see. Their visual styles are both immaculately composed and dryly funny.

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