Features
Two Crows for Comfort are a Manitoba folk duo (with roots and country leanings) who spend a good chunk of their year touring around North America with their dog in tow. The incredible harmonies and storytelling from this real-life couple are up there with some of the best duos making their style of music anywhere on the planet.
Matt Ardill sits down with writer, director, actor, and comedian Breanne Williamson. We talk about how she started in comedy, her inspirations and her current project a web series called Basement 51 which you can catch today.
Photo Credit: Meghan Gipps
David Zucker has written and directed some of the biggest comedies of all time, including Airplane! and The Naked Gun.
Matthew Ardill sits with Brendan Taylor, an actor who's been seen on shows ranging from Supernatural to Supergirl, whose latest turn is as Rickie Kananen, the monster from the title of the Lifetime film Monster in My Family: The Stacey Kananen Story.
Photo credit: Studio Aviva
Matt Ardill connected over Zoom with Kaitlyn Bernard, star of Lifetime's Surviving My Father: The Rachel Jeffs Story, to talk about her work in the role of Rachel Jeffs. Kaitlyn talkes about her expieriences filming, as well as the power and strength of Rachel.
Photo credit: Kristine Cofsky
We loop back to where we started sitting down with John Catucci, and this time discuss if a hot dog is a sandwich instead of a hamburger, but if feels like we are returning to our roots on this final episode. On top of that, we get a bit saucy and have a lot of fun.
I got a chance to chat over Zoom with comedian John Mostyn to catch up on storytelling, comedy, and their shared love of Britpop bands.
This is the hardest thing I've ever had to write. I took these tickets with reckless abandon and now here I sit, like a fool caught in a Faustian bargain.
How do you describe a Maria Bamford show? How do you even explain Maria Bamford? For reference, Judd Apatow is currently working on a documentary about her, because even he can't explain it.
Modern improv is a relatively new art form. Birthed from Viola Spolin's Improvisation for the Theatre, it started out as the back bone of performers' acts like Nichols and May, who were part of the Compass Players, an improvisational theatre company including Paul Sils as well as Ted Flicker and Del Close.
Tonight I had the absolute joy of seeing Ava Val and Patti Harrison share a stage, and it was so good the only adjective I have left after leaving the theatre is bananas. It was bananas good. A great big hand o' bananas.
It used to be Ava was a Toronto treat, but in the last couple of years she's been spreading her wings and playing across the country and around the world.
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