Whether you've heard his stand-up, read his articles for The Onion and The A.V.
Comedian Tim Gray (of H.U.N.K.S.) joins us this week for a real gut buster. Or would that be a fake gut buster? Only a well-trained ear will be able to seperate the charlatan chortles from the genuine guffaws.
Who would have thought that Hitler and Voldemort had horcruxes in common?
Following the sudden immolation of a antique salesman and his customer in Columbus, Ohio, Dean thinks that he may have found a case. After arriving in town and searching the shop, Dean discovers that the salesman had a secret room that was hiding a stash of Nazi relics that he sold on the side.
The title of Matthew Broussard's debut album, Pedantic, suggests a sense of self-awareness, but that doesn't make Broussard any less insufferable. While the majority of his jokes are just fine and even a bit clever, he spends more time talking about his personal circumstances than delivering punchlines.
Special guest Frances Koncan, local Winnipeg playwright and actor, joins us this week to discuss how to win on the battlefield of love. As per usual, Jesse defends the core concept of the article as the others pick it apart. Thomas feels his "podcast voice" is on trial. Frances has a secret crush.
Remember, the power doesn't control you – you control it.
It's a regular Sunday mass in Mason City, Iowa until Olivia Sanchez painfully walks in. Wounds from her hands and feet bleed with every step until she is suddenly whipped across her back by an unseen force. She collapses in front of the altar where she speaks in tongues to the priest and dies.
Frozen hearts, ghost children and a decaying vessel for Lucifer. Supernatural has it all in this week's episode, The Foundry.
Still adjusting to being alive again, Mary Winchester is feeling pretty off. Dean doesn't see it but Castiel and Sam notice that she isn't adjusting – she's struggling.
Thomas and Jesse welcome special guest, improviser Tristen Foy, to the podcast! And hoo boy, this week we definitely hit our nonsense quotient and then some. Expect four quarters (periods?) full of scattershot football slang, wild stabs at sporty jargon, and what an imagined reboot of Honey, I Shrunk the Kids would look like.
Hunters, no matter how good they are - all end up the same way.
With Sam still Tony's captive, Dean and Castiel have their work cut out to find him. As Tony's previous physical methods of persuasion had little success, she has moved onto the supernatural and now has Sam in a spell.
On her first album released in 2003, Maria Bamford started her set by saying that she likes to use a lot of voices in her comedy because, "My own voice does not command the respect and the attention that I believe I deserve." At the time, this seemed like an accurate statement.
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