Oh how the mighty have fallen! Other than a hefty cheque, what would possess Harrison Ford to make this movie? This has all been done before, and a lot better.
Ford plays Jack Stanfield, a banking executive in Seattle. His wife Beth is played by Virginia Madsen (Harrison is 63, Virginia is 42 â€" we'll let it go this time).
The year was 2005. It was a very shaky year at the local cinema, as some films challenged our perceptions and most just challenged our patience.
What is it with Hollywood's fascination with boxing and equalizing of the squared-circle? Where two men enter and one man leaves.
Since practically the dawn of film, boxing films have enthralled fans in all sorts of ways.
As far as I know, this film may never see the light of day in North America. That could be a blessing.
Guy Ritchie burst on the scene as the director of Snatch, which was such a great little film which practically redefined the whole "Euro-gangster" film genre.
Beneath our city streets and deep within our darkest sewers, a masquerade lives on. This masquerade must not be revealed to human eyes as a blood-thirsty war brews on.
Leather-clad "death dealer" Selene returns to the underworld in another chapter in the gothic vampire-lycan war.
The year of 2005 was considered a huge disappointment for the movie industry. The box office receipts fell for the first time in ages, and while studio mouthpieces may have you believe it was because of rampant downloading or the rise in DVD sales, the fact remains that in 2005, the movies just weren't as good.
Okay, you know that CGI-animation has taken over when the first indie-CGI animated film debuts. That's right, an indie film that is in CGI. Makes sense, right? Didn't think so.
Hoodwinked is the first computer-animated feature to be released theatrically without a studio backer. Since it's an indie, you would probably expect it to be sassier, ruder, quick-witted, and well...
I have to admit it. I never thought that I would see a year where January produced some entertaining movies. Now after seeing Glory Road, Tristan and Isolde proves once more that a new kind of January might be making its way into theatres.
January is traditionally the dumping ground for studio embarrassments and the tradition has been going on for more than 15 years.
Probably one of the greatest â€" or maybe the greatest â€" sports films of all time was the legendary basketball film Hoosiers from 1986. Nothing has been able to touch that film, and time after time it still shares its magic with movie-lovers.
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