Feature Story

Interview: David Zucker, legendary spoof comedy writer/director

Posted by: Matthew Ardill  •  November 10, 2025 @ 3:22pm

David Zucker has written and directed some of the biggest comedies of all time, including Airplane! and The Naked Gun.

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Review: Fahrenheit 9/11

Posted by: Dean Kish  •  June 25, 2004 @ 11:59am

"The temperature where freedom burns!"

The documentary (if you can call it that) that stunned audiences at Cannes and has split opinions of future American voters is getting ready to burst into theatres.

The fourth theatrical documentary released from edgy director Michael Moore opens with the controversial Florida vote in the 2000 election that saw incumbent George W.

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Review: The Notebook

Posted by: Dean Kish  •  June 25, 2004 @ 11:59am

Author Nicholas Sparks, who brought us "Message in a Bottle" and "A Walk to Remember", once more unravels his written cloth to unveil another romantic melodrama.

James Garner stars as an elderly man who likes nothing more than to tell a story to a fellow retirement home resident (Gena Rowlands).

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Review: The Notebook

Posted by: Mark McLeod  •  June 25, 2004 @ 11:59am

Noah (Ryan Gosling) was a country boy. Allie (Rachel McAdams) was from the city. The two lived very different lives and under normal circumstances probably never would have met. Noah, a man of extreme simple pleasures, worked at the lumber yard for 40 cents an hour, while Allie went to a fancy school, had all of life's amenities, and summered in the small town of Seabrook, North Carolina.

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Review: Fahrenheit 9/11

Posted by: Mark McLeod  •  June 25, 2004 @ 11:59am

What can be said about filmmaker Michael Moore that hasn't been said time and time again? Responsible for the films Roger and Me and the highly controversial Bowling for Columbine, this documentarian has never shyed away from creating controversy. His Oscar speech for Columbine offered up a rant against U.S. President George W.

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The Soothsayer's TV Diamonds in the Rough

Posted by: Dean Kish  •  June 25, 2004 @ 12:00am

Have you ever begun watching a new television show at the beginning of the fall season and become immediately hooked? What makes that show appeal to you? Is it an actor or actress? Is it the show's writing? Or are you hooked because everyone at work talks about it by the proverbial water cooler?

I am not talking about a show that goes on for 10 seasons and becomes part of nost

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Interview: On the Corner director Nathaniel Geary and star JR Bourne

Posted by: Mark McLeod  •  June 19, 2004 @ 12:00am

2003 was a banner year for my career as a writer. The month was October and I had been in the middle of my first full fledged Film Festival experience, having only gone to the odd show a year earlier. There would be days when I'd see two or three films back to back with very little downtime and then spend the night covering a Hollywood feature.

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Review: On the Corner

Posted by: Mark McLeod  •  June 18, 2004 @ 11:59am

For the past five years, Angel Henry (Alex Rice) has lived a life of prostitution and drugs on the streets of Vancouver's downtown east side. She lives in a rundown, rent-by-the-month room at the Portland hotel where she and her friend Stacey (Katherine Isabelle) exist day to day by prostituting themselves out to various johns who find them "On the Corner".

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Review: The Terminal

Posted by: Dean Kish  •  June 18, 2004 @ 11:59am

Can you possibly imagine what it is like to be a person who doesn't exist? A freak of nature that has slipped through the cracks of our society.

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Review: Dodgeball: A True Underdog Story

Posted by: Dean Kish  •  June 18, 2004 @ 11:59am

There have been a lot of sports comedies over the years. Some have been memorable like 1989's Major League and some have been horrendous like 1998's Baseketball.

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Review: The Stepford Wives

Posted by: Dean Kish  •  June 11, 2004 @ 11:59am

The Stepford Wives, the classic 1975 sci-fi horror film, escaladed the paranoia that everything you know isn't always what it seems. The idea of replacing your mate with a robo-duplicate was horrific and absurd.

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