The films of Roy Andersson are not for everyone, in the same manner that the films of another Anderson, Wes, are also not for all tastes. Is there a connection between these two filmmakers? No, not really. Well, perhaps. Let's see. Their visual styles are both immaculately composed and dryly funny.
As cold and uninviting as its subject, Black Mass is a competently made and star-studded look at the true life and crimes of legendary Boston mobster, James "Whitey" Bulger. The admittedly chilling source material somehow never manages to deliver any chills.
Feminist art fans take note. A vault is about to open, filled with the most subversively unique and beautifully hilarious gems. For the first time, a curated collection of the work of performance artists Shawna Dempsey and Lorri Millan will be available on Sept. 26.
After a one night stand with a call girl (Imogen Poots), a famous theater director (Owen Wilson) makes her an enticing offer: $30 thousand to quit turning tricks. The call girl is also an aspiring actress and quickly transforms this opportunity into a potential Broadway career.
A small-town stoner named Mike (Jesse Eisenberg, The Social Network) learns he's actually a lethally trained sleeper-agent after his CIA handlers decide to terminate his contract (and life.) Suddenly on the run with his girlfriend Phoebe (Kristen Stewart, Twilight) the couple fight to stay alive while employing killer talents that Mike didn't even know he had.
Faith-based films have been around since the beginning of motion pictures, and for a long part of filmmaking history, stood alongside other Hollywood genres as both critical and box office successes. Films like Ben-Hur and The Ten Commandments still captivate audiences to this day.
Every now and then, a small independent film manages to break through the cracks in the towering wall of entertainment available to our fickle culture. Like some little engine that could, it attracts critical praise and audience attention through its sheer brilliance, and without some huge marketing campaign.
Depressed film editor Rey Ciso (Adam Brooks) is stuck working on a rather trashy Italian crime thriller, a film far beneath his talents. While Ciso's professional life crumbles, his personal life follows suit. His wife (Paz De La Huerta; Enter the Void) is rapidly losing respect for him.
Decades before the fall of the Iron Curtain, two spies face off in a bombed out section of East Berlin. The first spy, Solo (Henry Cavill, Man of Steel, Immortals) is an American CIA agent. The second, Illya (Armie Hammer; The Lone Ranger, The Social Network) is a Russian KGB agent.
Interstellar Rodeo -- a music festival started by Canadian indie label Six Shooter Records in Edmonton, Alberta in 2012 -- has come to Winnipeg for the first time in 2015, setting up shop at the Forks from Friday, August 14 to Sunday, August 16.
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