The creative potential on display in Joel Edgerton's The Gift is remarkably refreshing. The actor-turned-director, who also wrote the screenplay, has composed a skillful and assured directorial debut. It's a sly contemporary suspense-thriller, without the mindless sex and violence that plagues the genre. We could use a few more of these.
In 2012, Tig Notaro performed one of the most talked about stand-up comedy sets of all time, opening with the announcement that she had been diagnosed with cancer. This diagnosis came soon after the death of Notaro's mother, a one-two punch that could easily derail any happy life.
Comedian Mike Wilmot has one of those faces that can't help but make you smile. Many Canadians will know Wilmot best from his appearance on CTV's Corner Gas as Brent's big city cousin, Carl.
"I promised your mother that I would protect you."
It's jarring to hear Wade (Arnold Schwarzenegger) deliver that line long after his daughter has been bitten by a zombie.
When we first meet Manglehorn (Al Pacino) he's rescuing a baby from inside a locked car. The concerned mother waves her arms, pleading for her baby to be freed. Before doing so, he deems it necessary to criticize the cleanliness of the car as the mother stands by helplessly. This is a man whose life brings him no joy.
For a script that is mostly gibberish, I was amazed at how entertaining Minions was. It came as no surprise that minion mischief not only warmed the hearts of children but also adults alike.
Comedian Ronny Chieng jokingly describes himself as "down to earth," despite having won international comedy awards and sold out shows all over the world.
The Winnipeg Folk Festival has been going strong on the Canadian prairies for over four decades. Music, community, environment, food, fun -- these are all integral parts of what makes the Winnipeg Folk Festival so special year after year. There are travellers from across Canada and the U.S.
Welcome to B-movie territory. Self/Less is silly, brainless and paint-by-numbers in an endearing fashion. It's ideal lazy Sunday afternoon fare. The type of film you'd be happy to find playing on cable on a rainy day.
A Spike Lee Joint. I always smile when those words grace a film's opening. It's not a credit we can always expect as Lee occasionally chooses the more drab, "a Spike Lee film," when embarking on potential money makers. Some for better, such as Inside Man, and some for worse, such as his regrettable remake of Chan-Wook Park's Oldboy.
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