Okay, so this is a little late. Back in October, I took a look at the emergence of the new 2004-2005 television season. There has been a lot of interesting developments since I wrote that article.
The first edition of the shorts film festival Wrap Yourself in Our Shorts, celebrating Vancouver's independent film community, takes place over two nights at the Planet Theatre at the HR MacMillian Space Centre. The festival not only has a witty name, but is comprised of a great selection of short films by Canadian filmmakers.
In the immortal 1967 classic, Guess Who's Coming to Dinner?, a couple's (Spencer Tracey, Katharine Hepburn) attitudes are challenged when their daughter brings home her prospective fiancé (Sidney Poitier), who happens to be black.
The film was a landmark of its time on so many fronts and challenged so many attitudes of the time.
The last time we saw Gracie Hart 5 years ago in Miss Congeniality, she was involved with Benjamin Bratt's character Eric Matthews. There is no Eric Matthews in the sequel â€" Bratt must have seen the script and passed.
Directed by John Pasquin (The Santa Clause), Miss Congeniality 2: Armed and Fabulous is one bad movie.
For his Academy Award-winning short film Ryan, Chris Landreth has been faced with more screenings, public appearances, and interviews than ever before.
The beginning steps of the storyline present us with the blossoming of a special day – a day wrapped in the anticipated service of union for Grant (Mark Hildreth – Taken, Past Perfect) and Ryan (Matt Fentiman – Spook, For My Father), a same-sex couple who have to contend with the menu of family drama that is served alongside their own opposi
Through film, over time, we have absorbed many different perceptions of the life cycle and what exists beyond death. There is a constant search to fill the void surrounding the unknown, the unexplained, and the unresolved. For entertainment value, we have explored the possibilities and pushed boundaries expanding our imaginations or reaffirming faith.
Woody Allen has always been obsessed with the theory that tragedy and comedy were always closely connected. He believes that you can take any given scene and it will work both tragically and comically.
In his new film, Melinda and Melinda, director Woody Allen tries to prove his point.
Man, oh man. This has not been a good year thus far for horror fans.
There have been a lot of great horror series in the course of Hollywood history. From Freddy's razor sharp claws to Michael Myers' ghostly face, to the blood-stained hockey mask of Jason Voorhees.
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