When I was in school, a teacher would sometimes catch me doing something I wasn't supposed to be doing.
Whenever they'd ask, "Michael, what are you doing?"
"Just putting on the second coat now!" was always my favourite response.
The Look of Silence, an emotionally searing new documentary from director Joshua Oppenheimer is a disturbing and incredibly impacting experience. In his previous film, The Act of Killing, Oppenheimer explored the contemporary aftermath of the Indonesian communist genocide of the late 1960's.
So a demon and an angel are having a drink at a bar...
After finding Castiel on the floor of the bunker and begging for help, Sam and Dean know their friend doesn't have much time. Meanwhile, in a warehouse with broken down cars, Rowena pitches the idea of a mega coven to a few of her fellow witches. Unfortunately for her, the pitch falls flat so she just kills them all.
HOLLYWOOD, CA (October 7, 2015) -- Paramount Pictures, Cineplex Entertainment and Dillon Francis are offering moviegoers in Canada a one-night-only Scouts Guide to the Zombie Apocalypse Ultimate Fan Experience with an advance screening of the film as well as exclusive music and a special visual show from Dillon Francis for the regular price of admission.
Grandma is indeed a tearjerker, but one free of the overwrought sentimentality that bogs down other entries in the genre. Structured like an addictive novella, the premise is quickly established and we're on our way. At a brisk 75 minutes, there is little time for narrative hesitation.
Not even demon babies and angel torture could prevent this week's Supernatural from being a complete mess.
Following the events of the Darkness being unleashed, Dean is just about to drop Jenna and baby Amara off at her grandmother's house where things might settle down for them away from the chaos.
Supernatural is back for its eleventh season and the Winchesters now have to face an enemy that predates creation itself: The Darkness.
Immediately picking up where last season's finale left off, Sam awakens in the impala after the explosion from The Darkness happened in the field but Dean is nowhere to be found.
Guy Maddin's films have always had at least one foot planted firmly in a shadowy and beautiful cinematic past. Beginning with his first feature, the awe-inspiring Tales from the Gimli Hospital in 1988, Maddin's gaze seemed fixed backwards to a distant era in which the talking picture was still unfamiliar and strange.
The films of Roy Andersson are not for everyone, in the same manner that the films of another Anderson, Wes, are also not for all tastes. Is there a connection between these two filmmakers? No, not really. Well, perhaps. Let's see. Their visual styles are both immaculately composed and dryly funny.
As cold and uninviting as its subject, Black Mass is a competently made and star-studded look at the true life and crimes of legendary Boston mobster, James "Whitey" Bulger. The admittedly chilling source material somehow never manages to deliver any chills.
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