Earlier this past year, I caught up with Vancouver music producer Jonathon Fluevog as he was preparing the first Vogville Day and Night Festival, which happened at Vancouver's Alpen Club. One of the acts on the bill was Coquitlam-based The Matinée.
On the cusp of True Blood's fourth season finale the side story-lines get a much needed reprieve in this second last episode of the year, just so that all hell could break loose.
When there is blood and chum in the cinematic waters that's always the first sign the summer season of movies is over and Halloween is not that far away.
With the countless years of practice vampires seem to find it pretty easy to get the stain of blood out of everything they touch. A little glamouring here and there and all their problems seem to just disappear.
After last week's grave yard brawl things couldn't get any messier.... or could they? "Let's Get Out of Here" sets straight most of last week's craziness only to turn everything upside by the end of the episode. Only this time on live TV.
I am a Woody Allen fanatic. Therefore, I see every one of his films no matter what. That is, regardless of what the critical or box office reception is. There's rarely any media to cover an opening of a Woody Allen film. There's never a midnight showing for those impatient fans -- in fact, there's usually not much of a line up.
With the vampire BBQ now over and sun down the Louisiana King goes on damage control after the town's newest centuries old wrathful necromancer's genocide spell. In the aftermath of Antonia's spell Jessica is saved by Jason and then later breaks it off with Hoyt to push both of them away.
Premise may be important when putting a story on screen, but that doesn't mean it has to also be realistic -- not for comedies, at least. Characters might be similar from flick to flick, but it's the fresh -- and often ridiculous -- situations they are put in that make a funny film.
Chances are, if you're not from Vancouver, you haven't heard of the band Azimyth.
In a universe where vampires roast rather than glimmer in the day time sunlight isn't an option. Being pulled into the light might be fine for a twihard like Rob Pattinson or a day-walking Wesley Snipes, but Bon Temps' vamps have to develop a silver fetish if they don't want to be Louisiana BBQ.
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