I was lucky enough to obtain a press pass for ShowbizMonkeys.com to attend the C4 Comic Con, but since "equipment carrier" isn't exactly a worthy title, I was asked to contribute an article as well. Which is fair, and I wouldn't mind giving you a recap of the Saturday events.
When Dean gets an urgent call from Sam to show up at the Little White Chapel in Las Vegas, he's ready for any demon that might be waiting.
With her plan to finally destroy Klaus during the homecoming dance, Elena is not leaving anything to chance.
Time loops make for a humorous way to spend February 2nd but maybe not if it happened to you on any other day. This week's Fringe puts it's own unique spin on time anomalies with everything from time loops, bubbles, chambers, and displacements.
Artie has been enjoying being a part of the directing team that's putting on West Side Story, which helps him realize he may have found his calling. He takes his directing so seriously, he decides to take it off the stage and into the lives of his peers.
In with the old and the new. "Novation" has the reappearance of youngest Bishop as well as a proper introduction to the newest version of shapeshifters. Baseball makes the heart grow fonder as Fringe returns to it's Friday night home after an extended wait from last week's World Series.
Now that Dean is riding solo after his fallout with Sam, his travels have taken him to Lily Dale, New York for the local psychic convention, where this year's headliners are having visions of their own deaths shortly before they happen.
New characters of Glee have been hit or miss. Sam, aka, Trouty Mouth, was a welcome addition but Sunshine Corazon never really caught much fire.
Since they discovered the writings in the caves, Elena, Alaric and Damon have been trying to piece the story together of the original vampires.
With updated versions of Footloose and The Thing hitting theatres this month, it's a perfect opportunity to question the value of movie remakes.
Generally speaking, most true film lovers despise remakes. It reeks of commercialism at its worst and bores originality-seeking moviegoers.
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